Ummet Ozcan / Oblivion from WOW inc. on Vimeo.
About the Work
WOW has produced a music video for “Oblivion,” the new tune by Ummet Ozcan, an EDM producer/DJ based in the Netherlands. In order to express the tune's uneasy atmosphere, we created a video on the theme of “the human body as a pattern.”
作品について
オランダを拠点に活動するEDMプロデューサー／DJ、Ummet Ozcan（ウメット・オズカン）の新作 「Oblivion」のMVを制作。曲の持つ怪しげな雰囲気を表現する為、「模様としての人体」をテーマに映像を制作した。
Staff
Director / CG Designer： Kouhei Nakama
Producer ： Ko Yamamoto
salvage from Dirk Koy on Vimeo.
The music is available here:
iTunes:
itunes.apple.com/ch/album/salvage/1462431000
Spotify:
open.spotify.com/album/2FYDM3TdLT95zwwTEdKVk0?si=EGfhkjkqQb-NS-386Qf_5w
Beatport:
classic.beatport.com/release/salvage/2581471
Animation/Music:
Dirk Koy, dirkkoy.com, instagram.com/dirkkoy
The search for the picturesque component
in digital animation.
The music was made with one of the first
personal computers which was IBM compatible:
an Amstrad PC1512 Schneider from 1986:
de.wikipedia.org/wiki/Amstrad_PC1512
using an adlib sound card:
nerdlypleasures.blogspot.ch/2015/07/the-first-sound-card.html
No Signal from Friendly Robot on Vimeo.
No Signal is best experienced with a full screen and ample sound speakers or headphones.
Full project on Behance : behance.net/gallery/59886869/No-Signal
Instagram : @the_friendlyrobot
No Signal is an experimental title sequence that depicts an astronaut just like the one you probably dreamed to become when you were a child. This astronaut needs to maintain the link between him and his own reality, his memory and keeping him away from madness. These three keywords are at the core of my concept, they are represented through out the three parts of the title sequence.
Credits
Designed and directed by : Friendly Robot
Score by : Echolab
Typography animation by : Sylk
Video edit by : Frederic Krettly
Alone, I go faster; together, we go further.
Thanks to :
17mars - Motion Designers Community - Otoy - Quixel Suite & Megascan.
Special Thanks to Echolab, who created the score and sound design.
It was an honor to collaborate with you.
A warm thank you to my friends, my family for their helps and their supports.
Ludovique Calandras, Geraldine Karolyi, Frederic Krettly, Sylk, Gavin Little, Maxime Hacquard, Clement LeBouc, Alison Chavigny, Tikeo & Thia.
Waterballet - Barbapapa from Waterballet on Vimeo.
Instagram: @waterballet
Music and Video by Kamiel Rongen
free Barbapapa EP @
waterballet.bandcamp.com/album/barbapapa-ep
Bookings&info: kamielkamiel@live.nl
water-ballet.com
ELYSIUM from Beno Saradzic on Vimeo.
One of the most powerful films I’ve seen as a young boy is one most people have never heard of. Cryptically titled ‘Koyaanisqatsi’, this unique film employed only fantastically executed visuals backed by a hypnotic, dramatic music score to tell a story.
It was a strange, experimental film, too hard to describe with words, but I was completely mesmerized by it. There was no (obvious) plot to follow, it had no actors or songs, but despite this, ‘Koyaanisqatsi’ was one incredibly immersive experience.
Some of the most unique aspects of this film were its groundbreaking time lapse sequences. I was still very young and could not understand how they were filmed, but I do remember the impact they left on my impressionable mind.
Many years have passed since then and I’ve chosen to pursue the art of photography and filmmaking as my career, of which time lapse cinematography takes its biggest share.
I don’t know if this is a blessing or a curse, because shooting, processing and time lapse films take an immense amount of effort and patience, a fact unknown to most. But seeing the finished product, after all that hard work, still fills me with immeasurable joy and satisfaction.
This motivates me to keep on learning in order to get better at the craft.
‘Elysium’ features the skylines of Dubai and Abu Dhabi which are among the most imposing and photogenic ones in the world.
The quiet giants, soaring high into the Emirati skies are a source of awe and inspiration for any dreamer or photographer.
What gives this film a dreamlike quality however is the elusive winter fog and its mysterious interaction with the tallest structures. Viewed from a high angle, the fog turns the cities into a grand canvas of visual poetry which could only be expressed with a language of time lapse cinematography.
The fog’s formation is very hard to predict and therefore, it’s not easy to film. I was forced to spend many sleepless nights chasing the foggy conditions from various rooftops across the UAE.
When the fog finally formed, and all elements came together, it was like witnessing magic. Watching the fog as it rolled between and over the buildings was such a haunting and utterly fascinating sight. It was a quite a logistical and technical challenge to capture all scenes I needed for a film, but it was all worth it.
Various scenes of ‘Elysium’ were captured in Dubai and Abu Dhabi between 2013 and 2017.
Music score: 'Bayt Lahm' by Ryan Taubert
Shot with Canon 5D cameras, CamBLOCK motion control gear, Syrp Genie and Timelapse+ VIEW. Processed with LR Timelapse / Adobe Lightroom and Premiere
Arena from Páraic Mc Gloughlin on Vimeo.
instagram.com/paraicmcgloughlin/?hl=en
Film by Páraic McGloughlin
A brief look at the earth from above, based on the shapes we make, the game of life, our playing ground - Arena.
Created using Google Earth imagery.
Pearse McGloughlin and I collaborated on the audio resulting in something between music and a soundtrack.
Audio mastered by TJ LippleHear
more of Pearse's music here : open.spotify.com/track/0mvfR4zmmxDTvlYyWmmJvG?si=KIHR2daoe
sweetnocturnes.com
Arena soundtrack available here: store.cdbaby.com/cd/pearsemcgloughlin3
open.spotify.com/album/2RNXEQZlBaBgeVmyLESIgb
Amber Willams at Directors Notes took the time to make an interview with me about the making of "Arena" and my work in general , you can check it out here: directorsnotes.com/2018/04/04/paraic-mcgloughlin-arena/
Thanks a million Amber.
AMA - a short film by Julie Gautier from Les films engloutis on Vimeo.
ULIE:
"Ama is a silent film. It tells a story everyone can interpret in their own way, based on their own experience. There is no imposition, only suggestions.
I wanted to share my biggest pain in this life with this film. For this is not too crude, I covered it with grace. To make it not too heavy, I plunged it into the water.
I dedicate this film to all the women of the world."
Julie
JULIE:
"Ama est un film sans parole qui raconte une histoire que chacun peut interpréter à sa manière, selon son propre vécu, tout est suggéré, rien n’est imposé.
J’ai voulu mettre dans ce film ma plus grande douleur en ce monde. Pour qu’elle ne soit pas trop crue je l’ai enrobée de grâce. Pour qu’elle ne soit pas trop lourde je l’ai plongée dans l’eau.
Je dédie ce film à toutes les femmes du monde."
Julie
Credits :
Choreographer : Ophélie Longuet
Music : « Rain in your black eyes », Ezio Bosso. (P) Sony Music Entertainment.
Cinematographer : Jacques Ballard
Editor : Jérôme Lozano
Colorist : Arthur Paux @ Spark Seeker
Compositing : Gregory Lafranchi @GoneFX
Sound mix : Nassim El Mounabbih @Dinosaures
Production : Spark Seeker/Les Films Engloutis
Associated Producers : Y-40 The Deep Joy/RVZ
Camera Assistant : Arthur Lauthers
Electrician Romain Mostri
Safety Freedivers : Anne Maury - Fouad Zarrou
Making off : Jimmy Golaz
Camera Rental (Red VistaVision 8K) RVZ
Light&Electric Rental : TSF Cannes
Wardrobe : Tatiana Henri
Envisioning Chemistry: Flowers & Colors from Beauty of Science on Vimeo.
Most red, blue, or purple flowers contain pigments called anthocyanins, whose colors are sensitive to pH (the acidity or basicity of an aqueous solution). As a result, when we immerse a blue flower into an acid or basic solution, its color is likely to change to red in acid condition, or to green or yellow in basic condition. In this film, to get the most dramatic effects, we immersed all flowers in saturated sodium hydroxide (NaOH) solutions and used macro lenses and a microscope to capture their glorious color transformations.
For more images, please visit: behance.net/gallery/61811533/FLOWERS-COLORS
For more films, please visit: envisioningchemistry.com
Credits
Video: Wenting Zhu
Producer: Yan Liang
The X - Director's Cut from Daniel Danielsson on Vimeo.
The X is a Motion project for About Time Creative, introducing their fresh new branding and positioning which is all about that X. Their mission is to make people's Experience with their client's brands exceptional.
This video follows the flow of Ideas through their studio as they materialize into finished projects.
See the full project here: behance.net/gallery/47765595/The-X
Client: About Time Creative
Direction / Design / Animation / Creation / Music: Daniel Danielsson
Max Cooper - Everything (Official Video by Nick Cobby) from Max Cooper on Vimeo.
Music: Everything - Max Cooper
Video: Nick Cobby
Additional footage: Andrey Prokhorov
Additional footage: Pedro Salas
Album info: unspokenwords.net
MAX COOPER announces new album Unspoken Words, released 25th March on Mesh - with the lead single from the project "Everything" and its accompanying video.
"Everything" is an excitable expression of freedom and joy, an explosion of colour referencing classic synth sounds from Max Cooper’s formative years and the golden era of idealism in music and popular culture of the '80 and '90s.
“I love feeling that anything is possible. It feels like I’m bursting and need to find some expression," says Cooper. "The synths seemed to carry the hope of everything I could imagine, condensed into the simple chord progression, improvised pads and layers of distortion. It was a lot of fun to work with, and spending time in that creative mindset generated lots of ideas which could be shot down later under less manic conditions.”
As an audio-visual artist, Cooper often goes to the medium of video to enhance his music and the ideas and stories which inspire and inform his work. "Everything" is one of 13 short films combined into Unspoken Words and the metanarrative which will be released as a film on Blu-ray to accompany the album on 25th March.
Cooper developed the visual story for ‘Everything’ with long term collaborator Nick Cobby and photographer Andrey Prokhorov, who has a huge library of imagery from around the world.
maxcooper.net / meshmeshmesh.net
Max Cooper, talking about the direction of 'Everything':
"This chapter of the Unspoken Words story is about our capacity for positive change via idealism. The video project shows footage of everything, contained inside us. We are aware of an outside world, but ultimately; everything is experienced internally, and much of what may seem hopelessly out of our control need not be so. That’s the idealistic idea which I applied personally, musically and visually.
I started the music when I was in need of something to give me a push forward. Sometimes a high energy classic synth explosion is the recipe for the job. It created the feeling that anything seemed possible, a fresh belief with a touch of ignorance that’s essential for new ideas to emerge free from the constraining baggage of old failures. The synths seemed to carry the hope of everything I could imagine, condensed into the simple chord progression, improvised pads and layers of distortion. It was a lot of fun to work with, and spending time in that creative mindset generated lots of ideas.
For the visual story I worked with my long term collaborator Nick Cobby, along with the photographer Andrey Prokhorov. Andrey has a huge library of imagery from around the world and I wanted to try and put everything inside the minds and bodies of the people of Mexico City, where Nick is based, in order to mirror the explosion of feelings and ideas of the music in visual form. It tells the story of our escape from constraints as we move towards the final mental expansion of the narrative.
Culum Simpson designed the spatial structure of the Dolby Atmos mix in a similar manner to that of the original stereo mix, with full power immersion from all sides, and an ever growing barrage of sound from the ceiling and walls."
DAWN'S WIND - CHANEL METIERS D'ART COLLECTION 2022 IN KOREA from REMEMBERS on Vimeo.
Directed by Josselin Facon
Music by Arnaud Toulon
Starring Kim Jennie
More:
https://vimeo.com/categories/experimental
