6.15.2021

Lisbeth Salander Cyber-Mastermind



Salander is a world-class computer hacker. Under the pseudonym "Wasp", she becomes a prominent figure in the international hacker community known as the Hacker Republic (similar to the group Anonymous). She uses her computer skills as a means to earn a living, doing investigative work for Milton Security. She has an eidetic memory and is skillful at concealing her identity; she possesses passports in different names, and disguises herself to travel undetected around Sweden and worldwide.

The survivor of a traumatic childhood, Salander is highly introverted and asocial, and has difficulty connecting to people and making friends. She is particularly hostile to men who abuse women, and takes special pleasure in exposing and punishing them. This is representative of Larsson's personal views and a major theme throughout the entire series. In the series, Blomkvist speculates that Salander might have Asperger syndrome. Her mental state is never definitively described, an ambiguity that many antagonists in the series try to use against her: her sexually abusive public guardian, Nils Bjurman, describes her as "a sick, murderous, insane fucking person", while her one-time jailer Dr. Peter Teleborian describes her as "paranoid", "psychotic", "obsessive", and an "egomaniacal psychopath".

The Girl With the Dragon Tattoo (2009)
Lisbeth Salander is introduced as a gifted, but deeply troubled, researcher and computer hacker working for Milton Security. Her boss, Dragan Armansky, commissions her to research disgraced journalist Mikael Blomkvist at the behest of a wealthy businessman, Henrik Vanger. When Blomkvist finds out that Salander hacked his computer, he hires her to assist him in investigating the disappearance of Vanger's grandniece, Harriet, 40 years earlier. Salander uses her research skills to uncover a series of murders, dating back decades and tied to Harriet's disappearance. During the investigation, Salander and Blomkvist become lovers. 
Salander is played as an adult by Noomi Rapace in the original film.



Lisbeth Salander does not possess a moral code or moral principles: rather, she has a set of very sharpened moral reflexes that cause her to behave with ruthless consistency towards perceived injustice (i.e. violence against women) in her immediate world.

All the talk of Lizbeth’s sickness discounts the importance of what made her that way. She deeply loved, then defended with violence (against a violent monster, the only alternative) her mother. She visits her until mother’s early death, felt to be caused by the rotten life that man gave the two. Her heroism is called violence against society by the “justice” system. But with a child’s purity of thought, she knows society is wrong. 



In the 2011 film adaptation of the first book, Salander is played by Rooney Mara, who received a nomination for the Academy Award for Best Actress on January 24, 2012 for her performance.

The role of Mikael Blomkvist is played by Daniel Craig.






The Girl Who Played With Fire (2006)
Begins with Salander's returning to Sweden after having traveled for a year. Shortly afterward, Salander is falsely implicated in the murder of three people: Bjurman and two of Blomkvist's colleagues. The frame-up is in fact a conspiracy between her biological father, former Soviet spy Alexander Zalachenko, and the Section, an illegal faction within Säpo, the Swedish Security Service, whose members had protected her father after he defected from the USSR. Zalachenko had been a high-ranking member of the GRU, and his defection was regarded by Säpo as an intelligence windfall, thus leading to the Section's covering up his subsequent illegal activities. Zalachenko had his son (and Salander's half-brother) Ronald Neidermann kill Blomkvist's colleagues, who were writing an exposé article on Zalachenko and Neidermann's prostitution ring, and Bjurman, a former Säpo employee who would have been exposed in the article as Salander's rapist. The Section then falsely incriminates Salander to cover up their concealment of Zalachenko's crimes.

The novel expands upon Salander's childhood. She is portrayed as having been an extremely bright but asocial child who would violently lash out at anyone who threatened or picked on her. This was in part the result of a troubled home life; Zalachenko repeatedly beat her mother but escaped punishment because the Section perceived his value to the Swedish State as being more important than her mother's civil rights.






The Girl Who Kicked the Hornets' Nest (2009) 
Salander is arrested for the assault on Zalachenko, while she recuperates in the hospital. Zalachenko, who is a patient in the same hospital, is murdered by someone in the Section, who then tries to kill Salander; fortunately, Salander's lawyer (Annika Giannini, Blomkvist's sister) has barred the door. The would-be assassin then commits suicide.

Due to her deep-seated mistrust of authority, Salander refuses at first to cooperate in any way with her defense, relying instead on her friends in Sweden's hacker community. They eventually help Blomkvist discover the full scope of the Section's conspiracy, which he strives to publish at the risk of his own life. Salander eventually writes, and passes to Giannini, an exact description of the sexual abuse she suffered at Bjurman's hands, but written in such a way as to make it sound hallucinatory so as to mislead the prosecution.





Stieg Larsson planned the series as having 10 installments, but completed only three before his sudden death in 2004. All three were published posthumously: The Girl with the Dragon Tattoo in 2005, The Girl Who Played with Fire in 2006, and The Girl Who Kicked the Hornets' Nest in 2007.

The Girl in the Spider's Web (2018) 
Written by David Lagercrantz as a continuation of the original series, Salander is hired by scientist Frans Balder to find out who hacked his network and stole his quantum computer technology. She hacks into the network of his company, Solifon, and discovers that his data was stolen by a criminal organization called the "Spider Society", with help from accomplices within Solifon and the National Security Agency. When Balder is murdered, Salander, with Blomkvist's help, saves Balder's autistic son August from the Spider Society's assassins, and she is badly wounded in the process. She bonds with August, a fellow math prodigy, and becomes his protector.

Salander learns the Spider Society is led by her twin sister Camilla, a sociopath who as a child tormented her and delighted in the abuse their mother suffered at their father's hands. Camilla sends assassin Jan Holtster to kill Salander and August. Salander overpowers Holtster, however, and gives the police August's drawing of him. She has an opportunity to shoot Camilla during her escape, but cannot bring herself to kill her sister and allows her to get away.

In the 2018 movie, Salander is portrayed by Claire Foy.





Continuation novels
The Girl Who Takes an Eye for an Eye (2017)
Written by David Lagercrantz as a continuation of the original series.

Lisbeth Salander is serving a two month jail sentence for the crimes she committed while protecting August Balder. After threats arise against her, she is transferred to maximum security Flodberga Prison, which she finds rife with corruption. She also discovers that Bangladeshi prisoner Faria Kasi is tormented nightly by ruthless prisoner Beatrice "Benito" Andersson.

One day, Salander is visited by former guardian Holger Palmgren. During their conversation, Palmgren tells her about a visit he received from a former secretary from St Stefan's, where she was committed as a child, who gave him Salander's medical files which has led him to believe she was involved in something called the Registry. Suspicious, Salander forces the Warden to let her use his computer, where she learns the Registry is a secret project that places exceptional children in specific environments to test the effects on their growth.

Unable to do anything from prison, Salander asks journalist Mikael Blomkvist to investigate in her stead, pointing him to wealthy businessman Leo Mannheimer, whose name was in the Registry file she found. During his investigation, Blomkvist learns that Mannheimer had been acting strangely lately and comes to suspect that not only does he have a twin, Dan Brody, but Brody has been going around pretending to be Mannheimer.

The Girl Who Lived Twice (2019)
Lagercrantz' third and final novel in the series.

Mikael Blomkvist is trying to reach Lisbeth Salander—the fierce, unstoppable girl with the dragon tattoo. He needs her help unraveling the identity of a man who died with Blomkvist's phone number in his pocket—a man who does not exist in any official records and whose garbled last words hinted at knowledge that would be dangerous to important people. But Lisbeth has disappeared. She's sold her apartment in Stockholm. She's gone dark. She's told no one where she is. And no one is aware that at long last she's got her primal enemy, her twin sister, Camilla, squarely in her sights.


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6.10.2021

Terminators A Look Back at the Terminator Films


A human soldier is sent from 2029 to 1984 to stop an almost indestructible cyborg killing machine, sent from the same year, which has been programmed to execute a young woman whose unborn son is the key to humanity's future salvation. 

 In 1984 Los Angeles, a cyborg assassin known as a Terminator arrives from 2029. Kyle Reese, a human soldier sent back in time from the same year, arrives shortly afterwards. The Terminator begins systematically killing women named Sarah Connor, whose addresses it finds in the telephone directory. It tracks the last Sarah Connor to a nightclub, but Kyle rescues her. The pair steal a car and escape with the Terminator pursuing them in a police car. 


 In Rome, Italy, during the release of Piranha II: The Spawning (1982), director Cameron fell ill and had a dream about a metallic torso holding kitchen knives dragging itself from an explosion. Inspired by director John Carpenter, who had made the slasher film Halloween (1978) on a low budget, Cameron used the dream as a "launching pad" to write a slasher-style film. Cameron's agent disliked the early concept of the horror film and requested that he work on something else. After this, Cameron dismissed his agent.

 Cameron returned to Pomona, California, and stayed at the home of science fiction writer Randall Frakes, where he wrote the draft for The Terminator. Cameron's influences included 1950s science fiction films, the 1960s fantasy television series The Outer Limits, and contemporary films such as The Driver (1978) and Mad Max 2 (1981). To translate the draft into a script, Cameron enlisted his friend Bill Wisher, who had a similar approach to storytelling. Cameron gave Wisher scenes involving Sarah Connor and the police department to write. As Wisher lived far from Cameron, the two communicated ideas by recording tapes of what they wrote by telephone. Frakes and Wisher would later write the US-released novelization of the movie. 

 The initial outline of the script involved two Terminators being sent to the past. The first was similar to the Terminator in the film, while the second was made of liquid metal and could not be destroyed with conventional weaponry. Cameron felt that the technology of the time was unable to create the liquid Terminator, and returned to the idea with the T-1000 character in Terminator 2: Judgment Day (1991).


 Writer Harlan Ellison stated that he "loved the movie, was just blown away by it", but believed that the screenplay was based on a short story and episode of The Outer Limits he had written, titled "Soldier", and threatened to sue for infringement. Orion settled in 1986 and gave Ellison an undisclosed amount of money and an acknowledgment credit in later prints of the film.Some accounts of the settlement state that "Demon with a Glass Hand", another Outer Limits episode written by Ellison, was also claimed to have been plagiarized by the film, but Ellison explicitly stated that The Terminator "was a ripoff" of "Soldier" rather than of "Demon with a Glass Hand".



The film also explores the potential dangers of AI dominance and rebellion. The robots become self-aware in the future, reject human authority and determine that the human race needs to be destroyed. The impact of this theme is so important that "the prevalent visual representation of AI risk has become the terminator robot.



Gale Anne Hurd, who had worked at New World Pictures as Roger Corman's assistant, showed interest in the project.

Cameron sold the rights for The Terminator to Hurd for one dollar with the promise that she would produce it only if Cameron was to direct it. Hurd suggested edits to the script and took a screenwriting credit in the film, though Cameron stated that she "did no actual writing at all".

Cameron and Hurd had friends who worked with Corman previously and who were working at Orion Pictures (now part of MGM). Orion agreed to distribute the film if Cameron could get financial backing elsewhere. 

The script was picked up by John Daly, chairman and president of Hemdale Film Corporation. Daly and his executive vice president and head of production Derek Gibson became executive producers of the project.

Cameron wanted his pitch for Daly to finalize the deal and had his friend Lance Henriksen show up to the meeting early dressed and acting like the Terminator. Henriksen, wearing a leather jacket, fake cuts on his face, and gold foil on his teeth, kicked open the door to the office and then sat in a chair.

Cameron arrived shortly and then relieved the staff from Henriksen's act. Daly was impressed by the screenplay and Cameron's sketches and passion for the film.In late 1982, Daly agreed to back the film with help from HBO and Orion.

The Terminator was originally budgeted at $4 million and later raised to $6.5 million. Aside from Hemdale, Pacific Western Productions, Euro Film Funding and Cinema '84 have been credited as production companies after the film's release.

Schwarzenegger was not as excited by the film; during an interview on the set of Conan the Destroyer, an interviewer asked him about a pair of shoes he had, which belonged to the wardrobe for The Terminator. Schwarzenegger responded, "Oh, some shit movie I'm doing, take a couple weeks."

 He recounted in his memoir, Total Recall, that he was initially hesitant, but thought that playing a robot in a contemporary film would be a challenging change of pace from Conan the Barbarian and that the film was low-profile enough that it would not damage his career if it were unsuccessful. In a later interview with GQ Magazine, he admitted that the he and the studio regarded it as just another B action movie, since "The year before came out Exterminator, now it was the Terminator and what else is gonna be next, type of thing".

 It was only when he saw 20 minutes of the first edit did he realize that "this is really intense, this is wild, I don't think i've ever seen anything like this before" and realized that "this could be bigger than we all think".




 To prepare for the role, Schwarzenegger spent three months training with weapons to be able to use them and feel comfortable around them.

 Schwarzenegger speaks only 17 lines in the film, and fewer than 100 words. Cameron said that "Somehow, even his accent worked ... It had a strange synthesized quality, like they hadn't gotten the voice thing quite worked out."

The film initiated a long-running Terminator franchise starting with Terminator 2: Judgment Day, considered by many to be one of the greatest sequels of all time, released in 1991. The franchise currently consists of six films, including the 2019 release of Terminator: Dark Fate, and several adaptations in other media. Schwarzenegger biographer Laurence Leamer wrote that The Terminator "was an influential film affecting a whole generation of darkly hued science fiction, and it was one of Arnold's best performances." Wiki